The title Entropvisions is in homage to my mother, the poet and art critic, Harriet Zinnes. In 1990 New Directions published a collection of her poems titled Entropisms, a word she made-up combining entropy - the tendency toward disorder - and tropism - the growth towards or away from a stimulus. Similarly, my short reviews combine entropy and tropism by suggesting growth towards a vision of art from the chaos of the art world. Through the back door, my title also pays homage to my physicist father, Irving Zinnes, whose long discussions with my mom got her thinking about entropy and tropism in the first place.
I'm glad I was able to attend the opening to the museum-quality exhibition of paintings by Laurie Fader and Cathy Diamond,
up through Oct. 23, at Radiator Gallery in LIC. The show's title,
"Luscious Wasteland," is perfect, as the paintings definitely are
luscious. With complicated organizations referencing landscape but
clearly emerging from the dream process of the rhythm of painting
itself, both artists' work stand as emphatic statements of their own
language, but also speak eloquently to
each other, bringing out the suggested storytelling underlying their
mysterious forms. Laurie's paintings glow with spaces inhabited by
somewhat recognizable figures, while Cathy's bring us into an interwoven
world where representational references seem to shift before our eyes
as connections constantly reconfigure between the active elements
seamlessly shifting from landscape to figure. Thank you, Patrick Neal, for curating this dialogue between such powerful artists. I highly recommend a trip to this show.
Cathy Diamond
Laurie Fader
Cathy Diamond
Cathy Diamond
Cathy Diamond
Cathy Diamond
Cathy Diamond
Cathy Diamond
Laurie Fader
Laurie Fader
Laurie Fader
Laurie Fader