I went to the Morgan Library hoping my opinion of the art of Georges Baselitz would change. Alas, the drawing show on view through Feb. 5, covering the artist’s entire career, only reinforced my impressions from decades ago, that he has little to say, and that his seemingly enticing gimmick of the upside-down figure is a meager attempt to camouflage his emptiness. One could argue drawings are sketches, but even as sketches those on view are thin, missing any real conviction and missing imagination. The few photos I took represent the best images I could find. Fortunately for me, however, also at the museum is a spectacular display of Mesopotamian art from 3400- 2000 B.C., up through Feb. 19. What a contrast! Here are authentic pieces after authentic pieces, figures with a generosity still giving through all these centuries. The exhibition centers on Enheduanna, the first non-anonymous writer in history, and a woman. She was a poet, priestess and princess, writing about how the peoples of her father’s huge empire – the first empire ever -- might be united culturally, and about her personal travails of sexual abuse and feelings of inadequacy. On display are some of her tablets, as well as figurines, reliefs and exquisite Babylonian cylinder seals that were rolled out as stamps to produce writing. Through the sculpture, the exhibition tells the story of women 5000 years ago, how important they were in religious, family, social and political roles, but for me most importantly, the exhibition breathes a humanity that transcends all time.