The title Entropvisions is in homage to my mother, the poet and art critic, Harriet Zinnes. In 1990 New Directions published a collection of her poems titled Entropisms, a word she made-up combining entropy - the tendency toward disorder - and tropism - the growth towards or away from a stimulus. Similarly, my short reviews combine entropy and tropism by suggesting growth towards a vision of art from the chaos of the art world. Through the back door, my title also pays homage to my physicist father, Irving Zinnes, whose long discussions with my mom got her thinking about entropy and tropism in the first place.

Milton Resnick & Matthew Wong at Milton Resnick and Pat Passloff Foundation
2023.11.11
Seeing an exhibition by Milton Resnick is always a poignant experience, and the current show at the Milton Resnick and Pat Passloff Foundation is no exception. Plus, the Foundation has paired late Resnick with Matthew Wong paintings, because apparently Resnick’s work had been a powerful influence on Wong, both artists wrote phenomenal poems about poetics, art, their states of mind, and both were quite depressed when the paintings in the show were done, albeit for different reasons. Resnick, whose poor health prohibited him from painting large abstract oils, was miserable about his physical handicaps, and had resorted to making small figurative oils and gouaches on paper. Wong was on the autism spectrum, had Tourette’s syndrome, and been chronically depressed since childhood. Both men committed suicide, Resnick at age 87, Wong at 35. Though, the exhibition successfully suggests overlaps between the artists, their individual strengths are more notable when their work is viewed separately, as the emotional weight of Resnick’s is overpowering. Throughout his life, Resnick’s abstractions had always been profoundly moving, but these late paintings, with figures enveloped by palpitatingly murky spaces, are so skinless and vulnerable that their tears and fears hit deep in the gut. Wong’s paintings tend to have lonely, alienated, perhaps even paranoid figures in uncomfortable spaces defined by the many artistic styles he experimented in. The Wong collection at this show, though including some of the same paintings (plus others) from a sprawling and uneven exhibition at Cheim & Reade last year, is quite strong. As a bonus, a few poems by each artist are printed on the gallery walls, and a book of Resnick poems is available at the front desk. The show remains up through Feb. 10. On Nov. 15, The NY Studio School will celebrate the book launch of an anthology, transcribed and edited by Geoffrey Dorfman, of talks made by Resnick between 1968-72 at the School, with a conversation between Dorfman and David Reed.

Milton Resnick

Matthew Wong

Milton Resnick

Milton Resnick

Milton Resnick

Milton Resnick

Milton Resnick

Milton Resnick

Milton Resnick

Milton Resnick

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Milton Resnick

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Matthew Wong

Matthew Wong

Matthew Wong

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Matthew Wong

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Matthew Wong

Matthew Wong

Matthew Wong

Milton Resnick

Milton Resnick

Milton Resnick

Matthew Wong

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